It's been an absolute pleasure going to the Moto meetings once a month. Our discussions span a variety of topics in the art and culture of writing, including formulating good storylines, character development, dedication to drafts, copyright, etc. This past Wednesday, as we were discussing someone's piece, it became apparent that we were divided in how we think an author should visualize their story. One half of us contended that in order to write a terrific story, even if it ends abruptly, the author needs to have the whole story clearly laid out in their mind. The other half of us contended that the author doesn't necessarily have to have the whole story mapped out, since they may want to involve the readers' perspective in shaping the "rest" of the story. So what is this bigger picture in the mind of an author: Is it the entire story, including words not included on the page? Or is it many different stories, some finished, some unfinished? Perhaps t